I recently conducted an interview with Nathaniel Perry, author of the very fine collection of poems Nine Acres.
I encourage you to get over to the the American Poetry Review to read the whole thing.
Here’s a brief excerpt from the interview:
Grant Clauser: Did the concept for this book develop after you’d already written a few of the poems, or did you envision the collection and then write to fit within the mode?
Nathaniel Perry: I did write a few of the poems first and then the concept came to me pretty quickly. I think the first poem I wrote was the one with the seed catalog (“Vegetable crops to Avoid and to Choose”), and it happened to be in that form of simple rhymed quatrains in tetrameter, and I had maybe thought of doing a group of 10 or so with the titles from the M.G. Kains book, but the form felt fun, and was engaging for me, and I soon decided I was going to do all of the chapters. I guess I didn’t initially even realize it was going to be book-length.
GC: I find this book to be very much like a journal—recounting the events of a year. Like a journal it tells a story, without relying on narrative. How fully formed in your head was this narrative when you were writing it?
NP: Strangely, not really at all as I was writing it. I assumed that I would put the poems in the order that they appeared in the original book, but then somebody pointed out to me very late in the process after I had already written all of the poems that there were 52 poems which was equal to the weeks in a year and it dawned on me that they could fit into the cycle of a single year. I remember taking all the poems and just sorting them out by spring, summer, fall, winter and seeing what that looked like and being pretty happy with that. I’m still happy with it.
GC: I noticed shifts and waves in the relationship between the husband and wife throughout the book.
NP: Well, you’re married. There are always shifts and waves. I won’t hide behind the fact that many of these poems are sentimental and sweet, but I like to think that’s still possible without being necessarily bad, and so the way to do that is to be true to the way relationships are. They can be hard and frustrating and full of doubt while simultaneously being joyful and intimate and full of starlight, so I wanted to show what an actual relationship looks like.